Collaborative Lithography
Jennifer Sirey, Various Untitled A collection of 1 run monotype lithographs on different sizes and colors of Kozo paper from 4 different stones utilizing techniques such as: acid tinting, resists, rubbing crayon, water and solvent tusche, color pencils, crayon, and maniere noir.
Eileen O'Kane Kornreich, Big Boss 2 color stone and photo plate lithograph using tusche and crayon printed on white Somerset Velvet. Edition of 18.
Tristram Landsdowne, Marrow 1 run, stone lithograph utilizing crayola colored pencils, solvent tusche, crayons, and masking techniques printed on Kitakata green paper. Edition of 12. 15” x 20”.
Fabiana Comas Risquez, La Tacona 3 color, stone lithograph done with tusche, maniere noir techniques, crayon, and crayon color pencil on Antique Somerset paper. Edition of 10. (22.25” x 15”)
Eileen O'Kane Kornreich, Mexican Pink 2 color stone and ball-grained plate lithograph using tusche and crayon printed on white Somerset Velvet. Edition of 20.
Ellen Babcock, Corpus Callosum #1 1 Run, multicolor, stone lithograph using lo shu washes, water tusche, and maniere noir techniques. The edition 10 was then drawn over with color pencils and markers. Edition of 10 on off white BFK paper. (33.5” x 48.5”& 22” x 30”)
Lana Scholtz, Candy Crush 5 run color lithograph on stones and ball grain plates using crayon, tusche, and lo shu wash printed on BFK Cream paper. Edition of 12. (15” x 22”) https://www.lanascholtz.com
Ginny Fielding, Mr Bavdelair 2 color ball-grained plate lithograph using painted toner and gum stopouts on BFK warm. Edition of 15. (15" x 22")
Gail Shaw-Clemons, Mask 4 run multi color sculptural lithographic print utilizing plates, sunset blend rolls, and laser cutting on BFK White Paper. Edition of 12. (18” x 12”). co printed with Ginny Fielding.
Gail Shaw-Clemons, Collage 6 run multi-color sculptural lithographic print utilizing plates, blend rolls, laser cutting and assembled with gudio adhesive and printed on BFK White Paper. Edition of 12. (25” x 12.25)”. Co-printed with Ginny Fielding
Eileen O'Kane Kornreich, Aunt Tuti 2 color stone and photo plate lithograph using tusche and crayon printed on white Somerset Velvet. Edition of 18.
Larry Bob Phillips, Untitled 1 run stone lithograph made with a black ink painting printed on BFK Grey, White and Tan Somerset paper. Varied Edition of 3 (15” x 20”)
Sara Miovic, Untitled 5 run, color lithograph on stones and ball grain plates using crayon and tusche printed on Cream Arches. Edition of 11. (22” x 30”)
Nicholas Valdes, Nuance 02 4 run, color lithograph made on photo plates utilizing the exposure of drawn and printed textures along with Winter Green Xerox copy transfers and printed on Green German Etching paper. Edition of 10. (22” x 30”)
Jennifer Sirey, Various Untitled A collection of 1 run monotype lithographs on different sizes and colors of Kozo paper from 4 different stones utilizing techniques such as: acid tinting, resists, rubbing crayon, water and solvent tusche, color pencils, crayon, and maniere noir.
Anna Fiacco, Clicking and Snapping 3 run color lithograph using gum stop outs, lo she washes, and toner printed on Cream Arches paper. Edition of 17 by Aniol Barris Cornet and Mar Arriaga. (15” x 22”)
Jennifer Sirey, Various Untitled A collection of 1 run monotype lithographs on different sizes and colors of Kozo paper from 4 different stones utilizing techniques such as: acid tinting, resists, rubbing crayon, water and solvent tusche, color pencils, crayon, and maniere noir.
Anna Fiacco, Northern Cardinals 3 color lithograph using a xerox copy transfer, dry roll flat, and dusting techniques printed on Arches paper by Aniol Barris Cornet. Edition of 12. (12" x 12")
Since 2023, Fiacco has collaborated with more than 15 professional artists at institutions including the Robert Blackburn Printmaking Workshop, the Tamarind Institute, the RAiR Foundation, and the School of Visual Arts. Their experience spans work with painters, sculptors, printmakers, photographers, and installation artists. Through extensive testing and proofing, Fiacco consistently guides artists through the lithography process, developing original editions and monotypes that honor and enhance each artist’s unique practice. They are particularly recognized for their expertise in alternative stone processing.
In addition to their collaborative work, Fiacco offers contract printing, one-on-one tutoring, and consultation services. Please visit the contact page to submit proposals.